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Print & Graphics Article #43/July 1998
Transit Marking and Other Messy Issues
Now that we are in the heart of summer, a
look at a problem called transit marking seems appropriate. We are often
asked, "How is it that some of the perfect-bound books we’ve done for our
customers have passed in-depth abrasion and marking resistance tests and
wind up at the customer’s door with severe marking on the covers where the
ink has actually rubbed off leaving white spots in those areas?" When we
explain that it did not occur during binding or trimming, the usual response
is, "Yeah, right. Tell me another one."
The truth is (contrary to popular belief) it
really isn’t caused at the bindery. This mysterious phenomenon is called
transit marking...and the problem has become so common, much of the
following information was documented in a recent technical bulletin
published by a large ink manufacturer.
Transit marking happens as a result of
vibrations that occur during the shipping process after all the printing and
binding has been completed. It usually shows up as streaks or small patches
on the cover (often appearing as white circles) when perfect-bound books rub
against each other in their cartons during transit and the ink is abraded
away.
To compound this dilemma, transit marking
gets worse as the temperature climbs. Incidences occur more frequently in
hotter climates and in the summer. The higher temperatures cause the book
covers to soften increasing the potential for abrasion. Tis the season...so
be wary!
There is also some evidence that microscopic
materials, such as dust and spray powders, that inevitably end up between
the books, cause transit marking by acting as an abrasive when the books
move.
Once we were called to examine some books we
had bound because the customer complained there were mysterious white spots
on the covers. We arrived to find classic transit marking and a skeptical
customer. To overcome his doubts, we first explained that if it was transit
marking, the books at the bottom of the skid would display less of a problem
because the weight of the cartons at the top would inhibit their movement.
When that proved true and he still wasn’t convinced, we decided to place a
carton of the books that had not been affected in the trunk of his car for a
week to see what would happen. After a week, we pulled them out and found
transit marks all over them!
Transit marking is frustrating because
printers often hold their breath as the job goes out the door and hope all
goes well during shipping. We have used a company based out of Burlington,
Massachusetts, called Nancy Plowman Associates (phone number is
781-272-7410) to examine jobs where transit marking occurred. Among other
types of consulting, they are an independent testing company in the printing
industry and can analyze things such as coatings, glues, inks, and paper.
According to them, 90% of the time transit marking is caused by ink
problems. After that, only 5% are paper problems and 5% are binding
problems. For printers who experience excessive transit marking, a closer
look at the inks they are using may be appropriate.
To minimize transit marking, we recommend
using 175 PSI cartons (as opposed to the GPO specs of 275 PSI). These
lighter weight boxes allow the product in the carton to support the carton
rather than the other way around thus reducing vibration. When stacked on a
skid and strapped under lots of pressure, these light-duty cartons "give"
putting pressure on all the books and preventing movement. Where product
will be shipped longer distances, we also recommend using a minimum of four
steel-straps on all skids containing perfect-bound material.
Other ways to reduce transit marking include
proper cover coating (such as UV, film, and dry varnish) or convenient
shrinkwrapping (in singles or multiples) to reduce movement.
Generally, using all these precautions will
minimize transit marking...but, be careful! More than one well-meaning
salesperson has placed a carton or two of samples in the trunk of his or her
car only to show up at the customer’s doorstep with transit marks all over
the books. It can happen in less than an hour of driving. The distance a
shipment must travel is also directly related to the incidence of transit
marking. Be sure to let your binder know if the job will be shipped outside
the local area. The longer the books must endure the high-intensity
vibrations within the truck, the worse the transit marking problem becomes.
With all this talk about ink dilemmas, I want
to mention another issue (likely to make most of us shudder)¾Reflex Blue.
It’s no secret that excessive marking, low scuff resistance, and poor drying
qualities are common with inks containing 50% or more of Reflex Blue. To
better understand why these problems occur, take a closer look at ink
fundamentals and the complexity of Reflex Blue ink.
Ink is a blend of clear resins and varnish
that control the tack and gloss while giving the substance body. Solvents
control press stability and fluidity and drying oils control surface
strength, drying time, and "set." The pigment, which is the coloring agent,
is derived from petroleum products and is added to the ink mix in powder
form.
Although each ink pigment is unique, most
have small molecules with a uniform shape and surface area. Reflex Blue
pigment molecules are huge in comparison and have jagged, irregular surfaces
and shapes. To blend Reflex Blue ink, ink manufacturers must add surface
active agents to the mix that allow proper "wetting" of the pigment. As a
result, the ink retains a higher level of moisture and takes longer to dry.
Standard "off-the-shelf" offset ink is
designed to dry by two methods: absorption into the sheet and evaporation
from the surface. When things go as planned (if you can imagine that), most
inks will have lost their solvents and have surface set in a few hours. As
the ink dries, the smaller, more uniform color pigments settle close
together and leave a flatter ink film surface. Reflex Blue pigments, on the
other hand, set leaving a jagged ink film surface. Although it may feel dry
to the touch, even the slightest pressure will break the molecule’s jagged
edges exposing wet pigment. This results in unsightly marks and color
transfer to undesired places. Coatings have to be applied after ink has
dried. As a result, Reflex Blue jobs often have problems because they
require excessive drying time (a luxury in our industry!). UV coating, in
particular, does not coat well over Reflex Blue and will sometimes fade or
change the ink color.
Paper choice is also a critical factor with
Reflex Blue because of scuffing. Minimal marking problems occur with
uncoated offset paper, followed by gloss coated. The most marking potential
happens with matte finished paper (which should always be varnished).
Issues surrounding Reflex Blue are so common
that ink manufacturers have published disclaimers for printers listing
precautions without guarantees regarding the outcome of the printed product.
They offer these possible solutions to avoid potential disaster:
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Use spot or flood varnishing to seal the
ink and eliminate scuffing, unsightly fingerprinting, and bronzing of
larger ink areas.
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Use "Imitation Reflex Blue" ink. Most ink
manufacturers have a close match of Reflex Blue containing a completely
different pigment blend and without the unpleasant side effects.
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Allow considerable drying time on all
Reflex Blue projects. Reflex Blue has been known to continue to smear for
months after delivery.
Remember...think downline finishing
operations when advising your customers about Reflex Blue applications.
Press sheets will still have to be cut, folded, and bound¾all increasing the
potential for marking, offsetting, or, worst of all, ruining the
publication.
Marty Anson is president of Bindagraphics,
Inc., a full-service post-press house in Baltimore, MD. The company offers a
complete range of binding and finishing options for printers of all sizes
and capabilities. Marty can be reached by phone at 800-326-0300, by fax at
(410) 362-7233, by mail at 2701 Wilmarco Avenue, Baltimore, MD 21223, or
online at marty@bindagraphics.com or
www.bindagraphics.com.
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