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2. Then Again. The San Francisco Chronicle reported that annual advertising spending increased 9.8% in 2004. According to the Publishers Information Bureau, magazine advertising revenue rose 11.1% in 2004. The magazine ad revenue growth is the first since 2000. However, about two-thirds of the increased advertising sales were fueled by higher pricing. Sources made no mention of inflation adjustments, so it’s hard to tell how much of the gains are real, and how much illusory. Ad page counts increased 3.8%. For more, Click Here 3. Postal Woes. According to GATF World, there is a looming crisis at the post office. Mirroring the problems experienced by the airline industry and the Social Security System, the USPS is looking at enormous legacy retirement costs. Crisis arises from the fact that when the retirement plan was put in place when ground-mail was a given. But with the rise of electronic communications over the past 20 years, the USPS is looking more and more obsolete. What does this mean for printers? Expect potentially significant hikes in postal rates. In the meantime, PIA has assembled a coalition to lobby for the industry in Washington. 4. Creative License. Suzanne Morgan of Printbuyers Online ran an interesting piece about selecting the right design firm with which to work. According to Morgan, the “creative team should show openness and objectivity in their client relationships. Look for the people who are flexible and show interest in your ideas.” We have a great relationship with our creative partner, Traversant, a brand communications firm in San Francisco that specializes in the print industry. The strength of our relationship is directly related to an open, thoughtful, and thought provoking give-and-take. It’s been a mutually beneficial relationship for almost nine years now. For other tips on creative firms, Click Here 5. Humbling Humidity. Both printers and binders have to deal with the vagaries of moisture in paper. Perfect-bound books, in particular, can be adversely affected. Heat-set webs generally leach most of the moisture out of signatures when they’re run through the press. To compensate for the post-press reconditioning of the paper to surrounding humidity, it’s best to allow extra time for trimming and binding. If the piece is time sensitive, try setting the web oven temperature at its lowest level so that as little moisture as possible is sucked from the stock.
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